Reviewer:
ERNEST BUCKLEY
from Brooklyn, NY United States
Brief History: I`ve monitored through the Mackie 824s for the last 12 years in my own studio. I`ve worked on NS-10s, Westlake Audio LC monitors, Genelecs 1032As and my favorites, the DynAudio BM6As.
The D5s needed a few days to settle but once they did, I experienced an overall balance, exceptional stereo imaging and quick transient response that I have only heard in monitors costing 4x the D5s $299 price tag. For anyone looking for a small footprint, great sounding near-field and on a budget, the D5s are going to answer the call 9 times out of 10. I`m not trying to say the D5s are equal to the Genelecs or DynAudios mentioned above but they do have similar characteristics like detail/stereo image and the tight/focused bottom.
Suggestion for Equator... consider building an 8 inch monitor "the D8" and pricing it for $999. It will become a studio standard.
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love the color, personally!
December 22, 2011
Reviewer:
pigasus records
from columbus, OH United States
these D5's fade into the backround, until they are passing audio, that is! then, they are the focal point of everyone in the room! nobody believes all that smooth sound isn't comming from my bigger JBL's or KRK's...awesome design, Equator! i will be ordering another pair soon as i recover from Christmas.
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These are the best studio monitors I've ever heard
December 12, 2011
Reviewer:
Tim Lyakhovetskiy
from Los Angeles, CA United States
My set of monitors before the D5's were the Wharfedale Diamond Pro 8.2 active monitors. Within 15 minutes of A/Bing, I took the Wharfedales down so they could be sold on eBay the following day.
BUY THESE MONITORS IMMEDIATELY.
The D5's are incredibly clear, from 53 Hz all the way up to 20 KHz, and will allow you hear any sparkle or garbage in the high end of any music. You do NOT need a sub with these: the tight low end completely destroys speakers with even 10" woofers. They don't need a nice treated room to sound phenomenal. Comparing a $100K treated studio to my completely ordinary 10'x10' room, there wasn't really any loss in imaging or clarity! AMAZING! What a huge difference: cymbal separation is so much easier to NAIL down, vocal EQ can be PERFECT, and bass guitar can be sculpted, versus setting up a rough EQ and hoping for the best. I'm going to buy another pair with my next paycheck, in case Ted decides to charge the fair price for these, which is like $750 or higher. ;)
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Amazing bang for the buck
October 31, 2011
Reviewer:
L-P
from Montreal
Compared these speakers with: ADAM A7 DYNAUDIO BM6 MK1 FOCAL CMS 65
+ I must say they hold their own well against every speaker I tried. + They sound like their fair price would be around 700$ per pair so it's a huge steal at 300. + Imaging is very good. + Transient are faster than every speaker but Focals. + The 3 modes are pretty cool. I find that number 2 is the best for mixing, number 1 is good for working the mids and number 3 is cool for music enjoyment. + Fantastic value
- They lack a bit definition in the 150-200 hz. - They have less bass because the speaker is indeed smaller. A comparison with smaller speakers like ADAM A5 and Focal CMS40 would be more fair. - They need to break in to sound smooth because at first they are a bit harsh in the high end and they lack a bit of bass. - Not a big fan of the color.
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1 of 1 people found the following review helpful:
small and honest
October 27, 2011
Reviewer:
guido bugmann
from Solothurn, Switzerland
i mixed several projects on the monitor till now. the localisation and the depth is exellent. and the mix works - will say - it translates to the world outside very well! well done!